A little thing wot I wrote about a girl with a tough life and a gun.
Melody, A Prologue
A young girl looks down the barrel of a gun at the bad man standing over Mother’s bloody body lying on the ground. Even her short life among the bad men has taught her that Mother won’t get up again, that a whole world can change with a moment of anger. She blinks away her tears, instinct tells her there’s no time for that now; there won’t be for a long time to come.
The bad man turns to her and laughs and reaches out to take the gun from her. He doesn’t think she’ll use it; turns out he’s wrong. She clenches the handle tighter in both hands to keep it level and pulls back on the trigger like she’s seen the bad men do so many times. The gun jumps in her hands with a loud CRAK and there’s a shower of blood and brains and screams and shouts and confusion. So she runs. Into the tunnels where she knows the bad men are always afraid to go.
Weeks pass, perhaps months, who knows? She’s made her home in the old tunnels, always on the move through the darkness and the stinking, shallow water, a deadly game of hide and seek with the bad men who try to find her and bring her back.
She has learned that to be unseen is to possess power. The power to reach out at will and take a man’s life and disappear again in the darkness. She becomes one with the darkness, she claims this domain as her own. Here the bad men, the hunters, become the hunted ones. They were always afraid of the tunnels, so they come down in groups, loud and blustering to hide their fear from themselves and each other. They are easy to find and easy to trick and easy to kill, and when they die, their bodies are little treasure troves of food and ammo. So she survives, prospers, even.
There are other things down here, of course there are, hungry things. She hears them all the time, occasionally she sees a fleeting shape, a brief movement in the shadows, a dim light briefly reflected in far too many eyes. But they leave her alone; perhaps they have come to think of her as one of their own. Or perhaps they just know that her presence here and the deadly game she plays means more and easy food for them, each dead body of her enemies a sacrifice to the things that share her domain.
At last, she emerges from the tunnels into the ancient ruins of a once-great city, now a skilled hunter of men. The tunnels have taught her well, but they have exacted a heavy price. She has seen things, done things that no little girl should ever see or do. But of course she’s no little girl anymore, those times are long gone already, the tunnels and the bad men – slavers, she now knows to call them – and the gun took all that away from her.
Never looking back, with nothing but her gun in her hand and Mother’s dead, bloody body in her dreams, Melody sets out through the ruined city, across the dusty plains, into a world that is broken and torn and burnt to ashes – out to do do bad things to bad people. For if all the bad people can be made to go away, forever, maybe she will finally find the security and comfort she has never known?
(Illustration is copyright © by the amazing Jonas De Ro (seriously, go visit his site right now). All rights reserved. Permission granted for non-profit usage.)